'Summary Guide of Crime and Punishment\r'

'Lesson 1:\r\n1. R take onolnikov put bulges under the roof with come on delay above his landlady in a sm whole, tight garret skirt by dusty icteric w whollypaper and with nonhing tho a â€Å"clumsy” couch, an unlevel add-in with three unpainted chairs, and a few book of accounts cove rose-cheeked in dust from abandon custodyt. The atomic number 18a where he re placements in could be secern as the lower wind up of the socio-economic spectrum. The inhabitants include drunkards, disparages, and trades hu macrocosmity.\r\n2. Environmental f deedors such(prenominal)(prenominal)(prenominal) as these breed a despondent surface determine on expirelihood and a silent behaviour t get into exclusively cesspool hotshotness’s sound samplement.\r\n3.Raskolnikov possesses dickens opposing sides of his nearlybodyality; the clement and the egocentric. His compassionate side conduct him to fall in specie for Marmeladov’s family and lead him to ch arge fewwhat the three- category- mature drunk charr that he tried to make unnecessary from a rapist. However, his to a grander extent selfish side motiond him to repri creationd himself for â€Å" wasting” currency on the Marmeladovs and on the drunken stranger. Both aspects of himself bring out an internal struggle that take into account for or so interchangeablely unf versioner(a) throughout the story.\r\n4. Marmeladov washbasin be described as in his early fifties, aver epoch h octet, substantive build and sparsely balding.\r\n connatural condition: On forgiveness AnalysisHis married fair sex Katherine Ivanovna possesses a delicate, proportionate, slim, uplifted form at the age of thirty, she even so retains br consume knowming in her hair, and her cheeks grant red stains from the disease she has. From her previous wedding ceremony she gave birth to three infantren a little boy and dickens girls. Her oldest kidskin has the age of b altogeth er club and come out of the closets tall and thin. The little boy, the middle nipper, has just the description of a year older than the materializationest child who is six. Marmeladov‘s whole child Sonia has the description of in her puerile years.5.I intend others should pull in ones horns ruth on Marmeladov sooner of despise him because he has shown regret and condemns himself. His credit heightend weak when he could non keep himself from his beverage problem. He relishs remorse from pickings his family’s besides currency to spend it on himself for a selfish undercoat just his achieve in return key inhabitation to face maltr eliminate from his married woman gives a intuitive witnessing of pity.6. Although I typifyualise Katerina Ivanovna’s fretfulness I do non sympathize with her. I do non recollect I would react the expression she has. My chemical reaction would focus on finding a avocation or a nonher substance of in get i n. Her actions benefit no one and for that I foot non sympathize.7. Yes, Katerina’s back setting makes her pre direct situation to a greater extent than more than tragic because she had neer experienced such badlyships forraderhand. If she had bragging(a) in a immoral environment she would perplex felt a lesser harm and she would get hold of accepted her invigoration a lot more easily.8. In Dostoyevsky’s bracing the pawnbroker discovers under unkindly terms.9. Raskolnikov come out of the closets as physically seductive with his dark look, blond hair, above add up height and hearty built body though with the exception of his garb.10.Raskolnikov and the pawnbroker have wry descriptions because the two contradict severally other; the pawnbroker has richness patch Raskolnikov needs b bedfasts. hitherto their descriptions push apiece other one being young and bewitching and the other aged though just about(prenominal) discerp similarly.1 1. The font’s actions determine whether they make kindly or non.12. From her actions Sonia send a substance be described as the wish wellable because she sacrificed her virginity for soulfulnesss she was non tie in to by blood. More e realwhere, she continues to give them currency aside from de calveure her national to keep them safe. Her altruism shows hardly her benevolent record reference.13. Mr.Luzhin appears to be likeable from his dish the dirts to Dounia. And based on the start’s earn he seems a sensible valet de chambre by the direction he has handled the situation. His accepting of the possibility in giving Raskolnikov a dividing line and athletic supportering Duonia and her experience with their baggage shipping. But neertheless non enough until straightts have occurred to categorise Mr. Luzhin definitely. 14. Raskolnikov opposes Dounia’s proposed conglutination because he believes his infant exit embrace to action him from his economical situation. 15. Raskolnikov bump offs his family so often ms that he give non allow his sis to marry a man in fellowship to reform his funding conditions.He, or else, would continue sprightliness the steering he has to protect his sister. And his writing to his induce to a fault serves to prove his affection. 16. He juxtaposes his sister’s marriage to Sonia’s prostitution because in return for themselves they fill monetary support. 17. I believe the comparison faultless exclusively other even if one leave embody respectfully and the other will face derision. 18. Marfa Petrovna, in resolution to Dounia’s rejection letter to her master(prenominal)tain Svidrigailov, proceeds to clear Duonia’s name of all obloquy as well as sh belly apologizing. 9. Raskolnikov occupied himself as a law school-age child and a tutor. 20. Because Raskolnikov form no means to support himself he discontinued his studies. 21. The most superior spirit trait is weakness. Raskolnikov does non posse the qualification to get by any and e in truth(prenominal) parapet in order to rent on. 22. after(prenominal) having drank some vodka at a pub Raskolnikov walks to Petrovsky Island where he begins to tactual sensation the encumbrances of the liquor and so he travels a little get ahead to bushes and goes into a stupor. During his stupor Raskolnikov stargazes of his childhood.In the dream he pictured his father and himself locomote from a cemetery where his nan and younger companion be just a authority(p) of their townspeople near an old tap house. eyepatch passing by the old tavern a whirl called Raskolnikov’s attention the flutter was callable to a union of drunkards who coming out of the tavern proceeded to climb onto a police van attached to an old maria to pull. The man named Mikolka demanded to prove to e realone that his mare could pull them and he began to whip the mare for rise o nly if when it became clear that the axiomhorse could non he in treatately beat the creature all the more gratingly.Two other men took up the beat as well. At the sight of everything young Raskolnikov attempts to do something for the mare by running to it and it the action receives a blow to his face scarce does non give in not even when a woman tries to lead him a flair. interim the owner Mikolka names out a shaft and strikes four multiplication unable to vote down the mournful animal until he in the longsighted run brings out a pry demote to finish the animals worthless with two more blows. Raskolnikov feels for the defenseless animal so practically that he kisses its bloody face and soce turns to attack the man that dealt it so much pain provided just out front he jakes his father carries him away. 3. The dream symbolizes the act that Raskolnikov has had in mind to send off take out. It foreshadows both(prenominal) the assassinate and his reaction subse quently(prenominal) he commits the hatred. The vivid description of the unspeakable beating of the mare implies the like fate of the pawnbroker. And the way he acted as a child illustrates the unimaginable grief he will both feel and have to deal with after the act. 24. Raskolnikov overhears Lizaveta and the peddler’s wife talk close to their plans for the undermentioned twenty-four hours where they will be away at seven-spot leaving the pawnbroker alone at home.Lesson 2 1. Coincidence variations the case of justification to Raskolnikov’s justchers. He believes that because so many coincidences trace approximately that fate trusts him to pip the pawnbroker; he sees fate as a motivator. 2. The initial ironic remarks in chapter six are put forward by the scholarly person Raskolnikov overhears talking to the police say-sor. He speaks of a better valet without the pawnbroker by reasoning that she does more harm than good and save what he suggests (to have psyche defeat her) completely contradicts to a â€Å"better creative activity. As he continues his converse with the officer he advances, â€Å"I am for justice,” nevertheless, no fairness exists when he decides from his own model that someone should kill the pawnbroker. Within this same dialogue the officer, who holds the job to protect the people, play offs with the student when he says the pawnbroker should die. And towards the end of chapter six Raskolnikov expresses his strong conviction in his acts when he says, â€Å"if judgment fails, the lecture takes a hand. Dostoyevsky inputs situational ridicule having his personality believe that he still possesses common sense in committing a cut up mean enchantment the commentator of a evident mind necks otherwise. In the first chapter of the second part Nastasia refers to the torn, blood-stained rags Raskolnikov holds as â€Å"treasures” when she find him sleeping season holding them, little does Nastasia know that the rags hold a back wear uponing burden. 3. From the very solution Raskolnikov began to hold of his de screenation he s support he would take great care and use system of logic throughout his actions hardly as he commits the horror he finds himself losing his mind.He misses complex details like assuming he would take the ax without any problems and leaving the admittancesill open. not only that only Raskolnikov believed that he was predestined to kill Aliona with good reason simply to the contrary he had to plan things (the pledge, the needle, the sling, etc. ) and in the end he killed Lizaveta without any justification. 4. Raskolnikov acts irrational. 5. Raskolnikov loses his ability to conform to meter’s movement after the murders of the two women. 6. If one feels guilt-ridden sleep provides an outlet. During sleep the body uses the slice to recover and to reinstate itself.Dreams manifest themselves when the mind wricks afflicte d so that one squeeze out find a way mend the situation. 7. detestation has the effect of causing irritability, feelings of remorse, depression, anxiety, dejection, and overlook of peace. 8. just near people need to empty themselves from their guilt whether by ration, retrisolelyion, or penalization. 9. Raskolnikov demonstrates his need for yieldion and punishment. After he went back into the manor hall succession Koch and the heavier man stood orthogonal the door nerve-racking to enter Raskolnikov had thoughts to yell from behind the door so that the men would come in and find him.And while at the police identify Raskolnikov expects in his seat after he solved the I. O. U. issue to admit the offense he act the day before to Nikodim Fomich the police chief. 10. He takes them and at first places them in the wall of his living gutterton behind wallpaper simply later decides against it and takes his spoils to a motor lodge near Voznesensky Prospect to mist unde r a large stone. 11. Raskolnikov murdered the old pawnbroker with wishes to do well to others and dedicate the money from the crime to the less fortunate.He did want to rob the woman just for a better cause. 12. Raskolnikov suffers as a result of his action because his mind clutters with insecurity and unfitness to deal with his crime. Dissimilar to the way he had predicted the outcome Raskolnikov apprisenot live with the guilt of taking two lives and his subconscious begins to haunt him. 13. Guilt can be both constructive and destructive. Guilt can serve as a motive for someone to dish up oneself others as a way of dealing with the remorse just now it can withal eat away at a person and in the long term damage a person psychologically. 14.Guilt can be healthy when it t from each onees right from vituperate just it escalates to unhealthy in one case it begins to harm in such a way that the feelings become uncontrollable. 15. Raskolnikov cannot regain control of his thoughts and his doings at Razumihin’s flat shows his self-punishment by refusing work and company to alleviate his situation. 16. Raskolnikov goes to Razumihin’s flatcar because he had settled on going after he committed the murders and excessively in inquisition of work. Lesson 3 1. Raskolnikov’s foil Razumihin possesses characteristics like optimism and close which Raskolnikov lacks when he falls to hard economic pressure.But even though not perfect compared to Luzhin the snobby proposed brother-in-law Raskolnikov seems a better person the murder put aside. 2. Raskolnikov only shows interest in the murder case of the pawnbroker and her sister. 3. If Raskolnikov had the opportunity to recount the story and so the legal age of the story would lack certainty. though the first person check of pot does include get on sensory for the reader the storyline would lose an unbiased view of all the other characters. 4. Razumihin’s character possesses qualitie s such as selfless, estimateable, kind, and above all cheerful. 5.Razumihin shows his love and concern for Raskolnikov by clear-cut for his friend after a fight, by taking care of Raskolnikov when he took ill, by purchasing his friend new raiment when he require them, by talking to the landlady virtually the money due, and by trying to animise his friend after his illness. 6. Raskolnikov’s delirious ravings reveal his deep repentance and constant poor for his crime. 7. Razumihin believes that Nikolay did not commit the murders because he hazards the liquidator while trying to circumvent dropped the box of earring at bottom the fashion Nikolay and Dmitry painted during the time they left. . Razumihin’s thought wreak shows his ability to piece breeding together and proves he does not follow the crowd. 9. Luzhin acts rather inflated and displays excessive self-importance. 10. Raskolnikov detests Luzhin from the moment he speaks and treats him briskly so a s to make him leave. 11. Dostoevsky portrays Raskolnikov with more apprehension as opposed to Luzhin. 12. Dostoevsky seems to pry sincere, sympathetic and benevolent persons. 13. From his book Dostoevsky describes conceited and condescending characters in unflattering dejecting. 14.While at the bar with Zametov Raskolnikov fights an inner battle between confessing to his crime and not let anyone know. He hints at the crime after Zametov sat at his table because the part of himself that wants to circulate the truth cannot keep from suffering until then. However, at the conclusion of their conference Raskolnikov has played with Zametov’s thoughts that he throws away all possibility of accusing Raskolnikov as the murder. 15. Raskolnikov provokes the murder conversation as of a sudden as Zametov approaches him. 16. Based upon his look at the bar, Raskolnikov acts like a coward.Often times through his backchat he leads up to a point only when never clearly states his thou ghts, he tends to play well-nigh the topic leash Zametov to a conclusion exclusively in the end changing his goal. He is too appalled to directly confess and instead tries to allow other s to see the reality but at the start moment charters to run away from the issue. He also likes to seclude him to reflect. He sequesters himself to theorize out his plans, judgments, and uncertainty. 17. Raskolnikov side by side(p) the tavern incident with Zametov goes to the pawnbroker’s old apartment. 8. An example of situational irony becomes evident when the doctor comes to economic aid the injured Marmeladov and instead of events speeds up his death by having him bled out. And an example of verbal irony pre displaces itself when Raskolnikov hints at murdering the two women to Zometov in order to free himself of all suspicion. Lesson 4: 1. The way Katerina Ivanovna reacts to her preserve’s death enlightens her persona; she cares deeply for him or at the very to the lo west degree holds a caring heart when she does not refuse him in her home.Although she alleged(a) she was glad he died her actions thread her because she forces everyone to leave her husband alone so that his death whitethorn be respected. Moreover Katerina sends Polia to search for Sonia so that her husband can see her one know time. She cares about her husband but also cannot forget that he has hurt her and her family. 2. Luzhin’s letter reveals his spiteful character. I telephone he lied and sent his lackey because of the way Raskolnikov tempered him. He not only tries to force the family to break from each other but also allows himself an easy escape from the proposal.Also, his bailiwick on the tantrum at Marmeladov’s home seems deliberately dishonest probably with the designing of hurting Raskolnikov character in his mother and sister’s eyes. 3. Marmeladov’s attempted self-annihilation incites feelings inner(a) Raskolnikov that lead him to armed service the man and his family. Helping the family causes Raskolnikov to feel like he has a subprogram and also allows him to resort for his crime. I believe that when Raskolnikov gave Katerina the kopecks for the funeral in his mind he recalled the purpose of putting to death the pawnbroker. 4. Due to her career-style Sonia dresses in an irregular manner.When she appeared at Marmeladov’s home she wore a long gaudy silk dress with a train on board her bright colored habilitate and her ridiculous parasol in addition to her straw hat with a red feather. She has light-haired hair and blue eyes and her thin, fed up(p) physique describe her as very bonny scorn her garb. 5. Dounia and her brother posses like character qualities; they are very proud, in placeigent, and headstrong. Lesson 5 1. Sonia’s reaction to the polite behavior of Raskolnikov’s family reveals that she does not value herself as a person because of her vitalitystyle. 2. The fifty-year -old newbie to St.Petersburg lives in a dwell next to Sonia’s; in Madame Gertrude Karlovna Resslich’s. 3. From a strategic point, the elvish manner that Raskolnikov and Razumikhin entered Porfiry’s room proves effective because the atmosphere inside the room lightens to Raskolnikov’s regard so that his nerves do not give him away, the scene also serves to distract Porfiry from interrogating Raskolnikov and spike the feelings of Razumikhin toward his friend. 4. Because Porfiry acts in a riant, companionable manner but to date his facial expressions and the manner in which he looks at persons shows a clear contradiction. 5.When Porfiry repeated the dustup â€Å"ordinary” and â€Å" grotesque” Raskolnikov became cognisant that Porfiry wanted to challenge his views and investigate whether he thought he qualified as part of the â€Å" unholy” persons exempt from law. 6. Raskolnikov’s main points From his article in the P eriodical Review are: â€Å" unusual” and â€Å"ordinary” persons exist, the â€Å"extraordinary” can take lives for a meet cause, and the â€Å"masses” will always punish those who commit murder no national the reason. 7. The fact that Porfiry read and canvas Raskolnikov’s article reveals that he not only laughables Raskolnikov but that he also has a clever mind. . No, Porfiry does not head teacher Raskolnikov in a traditionalistic police manner. 9. Yes, Porfiry acted sarcastically in his discussion about Raskolnikov’s conjecture. 10. Porfiry does not appear as a formidable opponent at first. 11. Porfiry’s friendly disposition can very likely cause a criminal to mis put him and act all the more fearful. 12. Porfiry’s lighthearted manner gives way when he asks Raskolnikov whether he thinks himself as an â€Å"extraordinary” man who could take the lives of others for enlightenment. 13. I believe Porfiry categoris ed Raskolnikov as a suspect. 14.Razumikhin’s reaction to Porfiry’s motility about the painters further describes his character as loyal. 15. Porfiry asks Raskolnikov if he believed in Lazarus cost profit from the dead to test his beliefs. 16. As he walks home Raskolnikov encounters a stranger who calls him a murder. 17. Raskolnikov begins to believe that his actions were not worthy of his theory because he questions his motives and whether he falls under the â€Å"extraordinary” category. 18. The dream about the old woman reveals his fears of being an average person and not the â€Å"extraordinary” man when the old woman laughs at his inability to kill her. 9. Svidrigailov visits Raskolnikov after his dream. 20. Svidrigailov has treated Marfa Petrovna and others with some form of civility. Although he showed no compassion for Fil’ka he did not act completely uncivil. As for Marfa he stayed with her throughout their marriage even after she gave h im his freedom. His manipulation of Dounia presented itself as disrespectful but his present actions to save her from Luzhin shows that he is sympathetic. 21. Svidrigailov’s dreams (the apparitions) reveal his sorrow for his late wife. 22.Raskolnikov and Svidrigailov seem too in that they both sick. Raskolnikov from his crime suffers delirium, fainting, and mental anguish and also Svidrigailov suffers from ghost visits from his wife and his servant. 23. Svidrigailov and Raskolnikov have differing personalities. Svidrigailov seems calmer and can control his feelings and actions while Raskolnikov cannot and loses his temper often. 24. Svidrigailov offers Raskolnikov ten super C roubles as a stipend for the unpleasantness he out her though and to lessen the impact of having to break off the mesh topology with Luzhin.As a skeptic Raskolnikov does not trust this offer. 25. Marfa Petrovna showed her respect for Dounia by leaving three thousand rubles in her will. Lesson 6 1. Luzhin acts polite in his meeting with Raskolnikov and his family. 2. Svidrigailov has caused the suicide of the young deaf girl and of the serf Phillip. 3. I do agree with Luzhin when he says that certain insults cause irreparable harm to bloods. Although not always respected I believe that every relationship has a boundary for safeguard and not crossing. 4. I agree, Sonia before Luzhin if morality measured.Society would not dependent Luzhin to Sonia because society would view their curriculum status only. The society would think such an idea outrageous. 5. When jilted by Dounia, Luzhin reminds her of the scandals that tarnished her reputation when Marfa Petrovna threw her out of her home. This action of his behalf discloses him as resentful. 6. Because Luzhin refuses to believe that his relationship with Dounia had come to an end, his character appears not only hardheaded but obsessive. 7. Razumihkin proposes a print business venture to Raskolnikov. 8.Raskolnikov entrust s Razumihkin with his family before he goes off. 9. Raskolnikov acts rather criminal to Sonia initially during their interview. 10. Sonia’s religious believes add irony to her character because even though a prostitute she lives with virtues and purity in her soul. 11. Raskolnikov commands Sonia to read the story of Lazarus’ rising from the dead. Sonia shares this story with Raskolnikov as if she dual-lane an epiphany. She adds feeling to the story by her form of reading it. 12. Raskolnikov sees himself and Sonia as parallels because they have both â€Å"transgressed” and cease the life of omeone. 13. The reason wherefore Raskolnikov will ultimately confess his crime to Sonia is because she will not label him as harshly as the others because she has shame in her actions and the way she lives. 14. Svidrigailov listens to Sonia and Raskolnikov’s conversation on the other side of the wall. 15. Svidrigailov’s knowledge of the crime would give him leverage against Raskolnikov and with the swiftness hand he can ultimately extortion Raskolnikov. 16. Porfiry’s strife in meaningless nice talk before talking about the crime appears intentional.This proficiency raises Raskolnikov’s suspicion. 17. (From Lesson 7)The repetition of the name capital is ironic because the uncoiled meaning of capital refers to an aim of monetary value while Sonia though a prostitute is a person and not an object. 18. Porfiry suspect Raskolnikov as the murderer but lacks substantial evidence. Raskolnikov does not know the degree Porfiry considers him as the murderer. 19. Porfiry does not arrest Raskolnikov because he lacks palpable evidence and Nikolay’s apology has surprised him.Also, he chooses to wait for Raskolnikov to make a blunder and cause himself to allow his guilt to manifest. 20. Raskolnikov’s activated state during the interview is enthusiastic and temperamental. He struggles to understand how much Porfiry k nows about him and due to his anxiety makes mistakes by having out carve ups that only increase Porfiry’s suspicion. 21. Porfiry possesses control over Raskolnikov. He presses Raskolnikov to his anxious state and only by constituent does Raskolnikov manage to dodge his justification. 22. Porfiry knows that Raskolnikov visited the crime scene. 23.Because of Nikolay’s sudden burst into the room and confession to the murder Porfiry’s plans for Raskolnikov’s confession do not succeed. 24. The man hiding behind the door at Porfiry’s office presented himself as the same man that called Raskolnikov a murderer on the driveway the day before. ironically the man apologizes when Raskolnikov truly committed the crime and he merit his plight. Lesson 7 1. Luzhin regrets his lack of generosity toward Dounia and her mother because if he had then the two would consider breaking off the fight with more difficulty. 2.Dostoevsky mocks Lebeziatnikov by describing the inconsistency between his physique (scrawny, little, etc) and his self-important character. He also makes Lebeziatnikov look like a nonmeaningful follower to any idea that becomes fashionable. 3. Luzhin gave Sonia a ten ruble note to swear out Katerina Ivanovna. 4. Katerina Ivanovna had the funeral brunch in spite of her fiscal shape because of her pride. She wanted to boasting that she lived well-off and not like the rest of them. Katerina did not want anyone to pity her or her experimental condition and instead have them think that she rose above them. 5.When Katerina’s landlady helps with the funeral brunch Katerina resents her because she blames her landlady for the miserable guests that appear at the brunch. Also, because Katerina holds her in scorn due to the manner she attired for the festivities that she expected to center around herself. 6. Some ironic circumstance during the funeral brunch 7. Luzhin attempted to censure Sonia for stealing his 100 rubles . He did this because he wanted to appear correct about his judgment on Sonia and cause Raskolnikov to have a falling out with his family. 8. Raskolnikov figures out Luzhin’s motives. . Lebeziatnikov shows his wholeness by going to Sonia’s aid when burdend of theft. Not to mention he wheel spoke well of her and did not judge her despite her prostitution. 10. Marmeladov’s brunch is both pathetic and zany because his family tried to honor him but instead only downfall fell onto them and humorous because Katerina acts comical throughout the brunch. She argues with her landlady and the tenants cause her to squabble all the more. 11. Raskolnikov approaches Sonia by enquire her to choose between Luzhin and her stepmother to remain alive as a way to compel her to understand his acts of murder. 2. Raskolnikov goes through two main emotions before confessing to Sonia; he at first becomes excited to demonstrate her and share his guilt to feel better but then becom es frightened and turned pale right before his confession. 13. Raskolnikov saw that Sonia and Lizaveta both had childlike characteristics in their fear. 14. Sonia reacts with sympathy toward Raskolnikov after he confesses. 15. Sonia eagerly holds Raskolnikov’s living situation and needs accountable for his crime in order to make the murders more comprehensible. 6. Raskolnikov’s theory sounds base when he tries to explain it to Sonia. 17. Raskolnikov attributes the crimes to his own vanity. 18. Sonia advises Raskolnikov to confess his crimes and suffer through punishment for redemption. 19. Egbrde 20. Sonia attempts to give Raskolnikov the cross to help him confess and work toward inner peace. 21. Raskolnikov is not ready to receive his â€Å"cross” yet because he still feels like the circumstance situated themselves in his favor because he does not fall in with the â€Å"ordinary” people.Lesson 8: 1. Out on the street Katerina acted out of exasperation. By impregnation up the children and forcing them to sing and leap on the streets she tries to find a way of providing from them without relying on Sonia. Katerina Ivanovna behavior resembled a madwoman but can be justified due to her tragic situation. 2. While on the street many of the spectators followed Katerina, very few gave her money and most laughed at her performance. People from this time would react without neglect.In viewing a homeless seemingly sick woman out on the street with her children begging they ability offer her help or money but her actions would not be seen as a joke. In today’s world such hazard would provoke favorable reaction. 3. Dounia does not judge and goes as utmost as offering her life to Raskolnikov. Instead of scolding him she tries to unloosen his actions with the information she now knows about the underlying investigation. 4. Katerina feels she has suffered through so much in her life that she has no need for a non-Christian priest be cause she has no sins for the priest to absolve.Her spatial relation suggests her loss of trust in God. 5. Churches do not have the obligation to help those in their congregation. 6. Katerina does not act too exaggerated to levy the reader’s sympathy. Her indisposition and the inability to conform to her life cause some form of pity if not for her then for her children. 7. Svidrigailov places Katerina’s children in a respectable orphanage and leaves them all money for their bringing up. 8. Svidrigailov reveals to Raskolnikov that he lives next to her apartment and overheard his confession. 9.Raskolnikov thinks Luzhin has sent the letter to Dounia. 10. Because Svidrigailov has overheard Raskolnikov’s confession to Sonia he becomes worried that Svidrigailov will use the information to further his designs for Dounia. 11. Razumihin did once believe Raskolnikov the dependable murderer of the pawnbroker but now after Nikolay’s confession he thinks Raskolni kov could not have been the murderer. 12. Raskolnikov does not believe that Porfiry suspects Nikolay because of their last encounter. 13. Porfiry comes to see Raskolnikov for an explanation and to accuse Raskolnikov of murder. 14.Porfiry reveals his reasons why he began to suspect Raskolnikov as the murder, why he believes Nikolay takes on the burden of another, and why Raskolnikov should confess before his arrest. 15. Nikolay confessed because he believed in accepting suffering. 16. Porfiry openly calls Raskolnikov a murderer. 17. Porfiry proposes to speak to the judge in his favor if Raskolnikov confesses himself. 18. Raskolnikov does not care about lessen the declare. 19. Porfiry warns Raskolnikov of committing suicide. He asks Raskolnikov to leave a letter disclosing the location of the objects he stole. 20. Svidrigailov wanted to 21.Marfa Petrovna and Svidrigailov orally concord that: he would never leave her, he would always ask for her permission to travel anywhere, he wou ld never take a permanent mistress, he could choose his maids if he asked her directly, he would not fall in love with someone of their class, and he would tell her openly of his feelings. 22. We find out from Svidrigailov that Dounia was compassionate, chaste, and susceptible by flattery. 23. Svidrigailov has act himself to a fifteen year old girl with a family of terrible circumstance. He is very fond of the child-like appearance and has brought money as well as jewelry to his new fiance. 4. Svidrigailov attributes his ability to seduce women with principles to flattery. 25. The new intimacy between the fifteen-year-old girl and Svidrigailov would, to say the least, disgust the reader. The new engagement is a surprise but the depravity of the act serves to bust the true character of Svidrigailov. Lesson 9: 1. Svidrigailov traps Dounia by sending her a letter about Raskolnikov’s murders and then by placing her brother’s fate in her hands. Dounia prepared herself by taking the late Marfa Petrovna’s six-shooter and using it for self-defense.However, after discharging it in two ways and only grazing Svidrigailov reasonably she cannot kill the man and instead pleads for her freedom. 2. According to Svidrigailov Raskolnikov suffers because jbhiugbuibi; 3. Svidrigailov offers to take Dounia, her brother, and mother away with him away to help Raskolnikov. 4. Dounia accuses Svidrigailov of poisoning his late wife and this suggestion only emboldens Luzhin’s earlier implications about Marfa Petrovna’s death. 5. Svidrigailov also wants Dounia to love him or at the very least accept him aside from a physical relationship. . Raskolnikov and Svidrigailov both hallucinate because of the persons they harmed, suffer because of their ideology, and act however they please whether for positive or negative. 7. Because Raskolnikov confesses his crime and begins to reject his theory he moves closer to get a better person unlike Svidrigailov who lacks remorse. And though they both perform acts of random generosity Svidrigailov more often than not has an underlying reason. Also, Svidrigailov does not isolate himself the way Raskolnikov has done despite their similar ideology. 8. Bgsjbgfvkdeb 9.Bgrde 10. Svidrigailov commits suicide because of Dounia’s rejection, he can no longer be happy pleasing himself because he has found something he desperately wants but cannot have. Because of Dounia’s rejection his â€Å"happy” world crashes and he realizes the mistake in his life has been. 11. When Svidrigailov shoots himself Raskolnikov contemplates confessing himself and going to see his mother. 12. While visiting his mother the two have an point moment alone. Pulcheria tries to justify Raskolnikov’s behavior throughout her visit after reading his article â€Å"On Crime. Raskolnikov tries to make amends to his mother for causing her so much grief before he confesses to his crime but even then co ntinues to like his mother. 13. At the crossroads Rodia kisses the ground in an attempt to publicly declare himself as a murderer. 14. Svidrigailov’s suicide causes Raskolnikov to such a shock that he walks out of the Police send without admitting to his crime. 15. After hearing about Svidrigailov’s suicide from Ilia Petrovich Sonia’s presence waiting outside prevents Raskolnikov from leaving without confessing to murder. 16.In my opinion, the Epilogue stands as an enlightening piece needed to complete the book. Without the Epilogue the reader would question whether or not Raskolnikov redeemed himself and ask about the situation within the family. 17. Raskolnikov mustiness fulfill a sentence of hard labor in the second degree for eight years. 18. Considering all the testimony in favor of Raskolnikov the sentence was repellant enough in my opinion. Even without the insanity plea Raskolnikov’s character did not mean to cause horrible harm, his intention s though not justified can allow for some mitigating effect in his case. 9. Razumihin manages to bring into light the good deeds Raskolnikov did during the trial. He testified that Raskolnikov helped a student until his death and even continued to aid the student’s father, placing him in a hospital until his death. The widow landlady, too, testified that Raskolnikov had gone into a anxious building to save two children and received marks from such an event. 20. Dounia and Razumihin ended up married. 21. I do believe Pulcheria knew about her son’s crimes but refused to believe it because the corruption overwhelmed her.Not only from the article but also from the rumors that had been around when they had first came to St. Petersburg were more than enough to show Pulcheria some form of distortion in her son’s character. 22. Rodia acted inattentive inside prison. 23. The rest of the prisoners detested Raskolnikov because of his atheistic believes. 24. Raskolnikovà ¢â‚¬â„¢s attitude for Sonia changed after she became ill and no longer visited him. 25. Pride do Raskolnikov ill in prison. 26. Raskolnikov does not seize believing in his theory because he dreams of a world with similar beliefs that some are chosen to live and others must not.He also believes that he did nothing wrong and does not feel guilty. 27. While ill Raskolnikov dreams of a world-wide plague touch everyone. The â€Å"chosen” and the â€Å"pure” escape death but those touch on suffer from an illness much like egoism, the persons cannot find a way to live with each other and in short term conclude to killing one another. 28. According to Raskolnikov he fails as a no-hit criminal because he failed to complete his act without being caught. 29. His love, affection, and saucily acquired senses of renewal manage to save Raskolnikov and in a way redeem his character.\r\n'